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Sunday, September 30, 2012

five speed

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The Worst Manager or Supervisor I ever worked for.


A few years ago I worked for a local wireless telecommunication company as an engineering technician in RF section of the engineering department. My primary responsibility was to assist the engineer with any assignments that he was unable to complete, examples would include field data collection, post data collection processing, site optimization, and on-air tower testing and troubleshooting.


The operational deadlines set by the engineering manager would cause the engineer I was assigned to become overly stressed and to set unreasonable deadlines on me to complete my assigned task. The English language was not this engineer native language, which effected his communication skills. Our office was based in Farmington Hills, where we reported each morning to receive our daily assignments. Our work would take us through out the Michigan and Ohio areas, because of the time frame it would take for us to travel to these sites; it would take some time to complete the assignments. He often would expect 8-hour assignment to be completed in two or three hours, not taking into consideration the travel time to and form the work areas.


This engineer was not an effective communicator, was not effective at time management, nor experience in understanding what the employees who were assigned to him were doing or what exactly what our jobs were, even after we tried to explain to him our training and limitations.


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My experience working with this person made for a long workday doing something I enjoyed. It also effected the quality of the work we were doing by rushing through job assignment to meet his deadlines. This engineer was the worst person I ever worked for.














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Friday, September 28, 2012

analysis of the fountain by Duchamp

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In February of 117, The Society of Independent Artists in New York City, held an open exhibition. Marcel Duchamp’s Fountain was one of the main pieces exhibited. This main piece of art presented was a urinal mounted on its side. Duchamp chose not to sign the piece with his real name. Instead he signed the piece under an alias or ficticious character, R. Mutt or Richard Mutt, said maybe to have been a cartoon strip of the time. Fountain was rejected from the open exhibition without anyone knowing that it was the work of Marcel Duchamp. Duchamp even commented on the piece stating, Whether Mr. Mutt with his own hands made the fountain or not has no importance, he chose it. Being received as an offensive joke at the exhibit, Duchamp took the piece back to the studio of Alfred Stieglitz, where it would be photographed. Duchamp later stated in an interview that, The only works of art America has given are her plumbing and her bridges. The original then disappeared as did almost all of the original readymades of Duchamp.


Duchamp’s piece was not appreciated when first shown in that exhibit in 117. Part of me agrees that with that verdict for a number of reasons. The first being that these “fountains” or “urinals” as they seem were already created at this time and he did now more than slightly alter the shape and the position is which it is placed. No depth or creativity is really understood when first analyzing this piece and neither does it attract ones eye. However, the reason why I particularly am not jumping to this conclusion is because that is how much of art was first interpreted. It was not until later after understand the motives and ideas behind the artists work that one can truly appreciate it I would not be one to be able to fairy judge his work.








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Thursday, September 27, 2012

Economic Systems

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February 00 Essay Christina Neophytou


An economic system is a collection of institutions and organisations directing and organising ownership, production and distribution of goods and services.


The type of economic system that exists in Euphoria is a Market Capitalist System. This is a system used in countries like Australia, South Africa and the United States. Since most production, such as agriculture, manufacturing, banking and communications, occurs in the private sector rather than the government sector, private enterprise clearly dominates the market capitalist system. In the case of Euphoria, private enterprise dominates 70% of the system, while the government controls the remaining 0% of the system.


Below is an economic systems diagram showing Euphoria’s location in the type of economic system it exists in.


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Euphoria would use the market mechanism to make decisions about what type of goods and services people want produced, and how much they would be paid. The market mechanism is a system where by the free forces of demand and supply for goods and services set relative prices, which in turn act as ‘signals’ to producers of consumer wishes for resource allocation.


Euphoria has a mixed ownership system, as 70% of enterprises are privately owned, while 0% of enterprises are state-owned. Sole traders, partnerships, private companies, public companies and franchises help make up the private sector of the economy.


The country might decide to increase privatization for a number of reasons. Firstly, unlike private enterprise, not all goods and services produced by the government are aimed at making a profit and consequently, this will cost the government a lot of money as most of the time, they are not receiving any profits to make up for the money spent. So the government in Euphoria may decide to privatize some state-owned enterprises in order to lower the cost to governments of running these activities.


Another reason to increase privatization is that the sale of the state-owned enterprise to private owners will raise money for the government. This will allow the government to spend the extra money on more important things. e.g. Schooling in rural areas.


In other cases, handing ownership over to the private sector may be in the best interests of the consumers. This is because private enterprises are more likely to provide better goods and services to consumers, as they are motivated to make profit, resulting in the business being run more efficiently.





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Lowry

If you order your custom term paper from our custom writing service you will receive a perfectly written assignment on Lowry. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Lowry paper right on time.

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Cezanne


Paul Cezanne, who was the son of a wealthy banker, became a painter in the 1860s in Paris when he quit his studies of Law. By 1874 he was painting landscapes in the Impressionist manner and had some of his work included in their first exhibition held during that very same year. He painted in the Impressionistic manner, but sheared off in a different direction to the main body of Impressionist painters. The main body of Impressionist painters were concerned with the fleeting effects of light and colour, and in order to capture the surface impression of that moment they had to work fluently and quickly. s analysis was far more prolonged and pains-taking; He spent so long analysing his subjects that some of his work was never finished. began to be more concerned with the use of colour in modelling objects and landscape and as a way of expressing their underlying form. The basic ideas of Cubism have been claimed to be present in his philosophy. His theory was that the painter could always find the cone, the sphere and the cylinder in Nature, and that all natural shapes were composed of these shapes at their most basic form. inherited sufficient wealth to live in rich seclusion in Provence near Aix. He needed this solitude or he found it difficult getting on with others being naturally ill at ease, neurotically sensitive and suffering from outbursts of temper. His great contribution to art was to make Impressionism solid to restore the careful analysis of form and structure that pervaded the old masters but to combine this with an intensity of colour and harmony, full of personal expression. In his landscapes he showed a deep feeling for the force of nature in each sweeping line and chopping stroke of the brush, in the intense orange earth against the clear Provence skies.


Always dissatisfied with his efforts, struggled unceasingly to reveal the truths of nature. He made many landscape paintings of the area where he lived and through them he achieved great success even in his old age. Many of these landscapes like Route-Tournante pulse and glow with his free and painstaking analysis. Part of the vitality of this picture lies in the loose and patchy technique The effect is particularly striking in the subtle greens of the trees and the subtle earth tones. Part of the interest of lies in the balance he creates between the abstract and the real. The forms of foliage, rocks and road are so simplified and generalised that they appear almost abstract. But as they dissolve into tonal marks we are still conscious of the reality of the scene, the way the road twists out of sight past the rocks into a cool tree-filled valley. His way of working is so explicit; as we look at the surface of the picture we are aware of his every brushmark, and we can imagine his subtle colour mixing and careful balancing of colour and tone. He used colour not to fill in outlines, but, as a true colourist used it to create forms. He believed that colour and line were inseparable and interwove them, applying one over the other in his work. His angled brush strokes set up a nervous sense of agitation in his late works like Route Tournante. This may be a combination of his irascible temperament with an ageing painters awareness of the need to realise his objectives while he still had time.


was a great painter of the immediate landscape of Provence around his home, often painting the view seen from his studio. The quality of this landscape - the light, the colour of the earth, the roll of the hills affects the way the artist reacts to it. Many artists who work from landscape begin to identify with feelings that the physical area arouses. One can argue that we are all affected by the physical nature of the area where we live. In this sense was similar to many other landscape artists, many of who have come you be associated with the place Lowry with the industrial North of England. Constable with Suffolk. Gauguin with the South Seas.


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Because he was interested in nature, Paul went to the South of France. The way in which he painted light inspired younger artists, such as Henri Matisse and Andre Derain, who searched for similar ways to express themselves.


In an abandoned quarry near Aix-en-Provence, studied the huge, jagged rocks, and made this dramatic composition, called Bibemus Quarry by contrasting sizes, shapes, and angles.


The painting is a circular composition. This is achieved by arranging rock shapes in a pattern. has framed the painting using rocks. Large stones on the left and right guide our eyes into the painting. The horizontal shelf in the middle leans towards a wedge-shaped outcrop that sweeps upward. Soft green plants creep up the slope to a tree on the horizon. The diagonal trunk of a tree cut off by the edge of the painting takes us back along sharply tilted pocks to the middle of the painting.


Every stroke of s brush makes the rocks look solid. He painted patches of red, brown, orange, and grey side-by-side and created weightless clouds in the hazy-looking sky with short brushstrokes, in many shades of green and blue.


LAURENCE STEPHEN LOWRY


The work of Lowry appears to be childlike and naive in style, but he is an immensely skilful painter in my eyes, and one who deserves a lot more credit than he did receive before he died in 176. Lowry did receive some recognition before the war, he was always underrated, and elusive. It wasnt until a large exhibition was held in 166 that Lowry became recognised as a unique painter of industrial England. The Royal Academy show of 176, (the year in which he died) split the critics opinion. They took very different views of the greatness of Lowry. Some of his critics saw him as a man of unique vision, but others downgraded him to a minor artist with only limited social interest. Whatever the critics might say, he remains today one the most popular, best loved and easily recognised British artists of the 0th century.


This painting combines all of Lowrys most potent images. This vast, treeless landscape from hell, is dominated by many chimneys and a slag heap. In the distance we can see rows of tight, stiff, red-brick terraces oppressed by rows of belching smokestacks. The whole landscape, like the people and the local economy, has been controlled and shaped by the process of industrialisation. Although matchstick in shape his figures and dogs are often full of meaningful expression.


The paintings are always disturbing. Lowry loves the working people of towns like this, and yet he loathes their harsh existence. The people are always so tiny and thin, the factories so massive and the chimneys so black that the viewer of the painting is left with the feeling that people are inconsequential in comparison with the relentless process of industrialisation. The images of the industrial landscapes of Northern England are not portrayed in a positive light, but not all hope has been buried in the slag and the soot. The people still skip and the dogs still bark.


GEORGES MICHAEL


Georges Michael belonged to a school of artists called the Barbizon School (also the 180 School or the Fontainbleau School. The members of this school were the forerunners of the Impressionists. A reproduction of one of his paintings has been included, as I believe that he was very influential in the forming of the Impressionist movement.


IMPRESSIONISM


The artists in this school of painting were Georges Michael, Theodore Rousseau, Jean-Francois Millet, Jules Dupre, Constant Troyon, Virgile-Narcisse Diaz de la Pena, Charles-Francois Daubigny, Alexandre-Gabriel Decamps, Charles-Emile Jacque, and other minor landscape and animal painters - e.g Brascassat/Rosa Bonheur.


During the second half of the nineteenth century, the school became more and more famous - the number of painters in the school also increased.


Barbizon was the name of the area in France where members of this school settled down to paint. Jean-Francois Millet, together with Theodore Rousseau, became the centre - the nucleus of the Barbizon community, and the reference point for all the other Barbizonners - the other members of the Barbizon school. Millet settled down in Barbizon in 184.


has often been described as the initiator of the Impressionist movement, and indeed he did develop many of the ideas that we saw in the movement as it developed. It could be said that Lowry painted landscape in an Impressionist fashion as well, as his pictures are painted in such a way as to make the viewer aware of the message behind the picture rather than the actual picture which has been depicted using brushstrokes from a man of incredible painting skill. A painting by has been included with this essay, along with a reproduction of one of Lowrys pictures.


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Monday, September 3, 2012

w

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wTime flies and flies faster than you can ever imagine. A journey, which seemingly started days before, is on its final frontier. GIM started as a dream and has left me dreaming of the action ahead, the call of the jungle, calling its till now rested animal of abundance.


A chapter needs to be closed and open the gateways to another chapter of life. The conventional waits to give the realms to the contemporary. The following below is a brief fact sheet suggesting how far am I geared to take on the very best in a world where classics of today become the ordinary of tomorrow. The change is frightening and the frightening is definitely exciting. The exciting is me and this is me from A Zee.


1. Imagining the different path and walking it is my style of operations.


. Insight and intuition governs my decision-making and the two source their strength from past knowledge, experience and logic.


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. I am a member of discussions, which discuss what is not already known. I hate perennial meetings, which just focus on reinventing the wheel all the time and go ga ga over it.


4. I love working with my hands and feel a greater sense of gratification when the job involves physical contact.


5. I have never shied away from expressing what I genuinely feel about ideas, people and issues. I know I can be an excellent diplomat but resist the temptation in favour of being upfront because I believe it’s more effective in the long run.


6. I prefer my work environment to be warm and friendly. I am also ready to challenge the rules or procedures that do not make sense to me.


7. I am basically able to influence people’s behaviour and their style of thinking. This is why I have a large circle of friends. However of late I have chosen to be more reserved in approach.


8. It’s been my dream and continues to be the numero uno desire to be called as the best salesman born ever. I believe we all are selling each other constantly in this world and this is one skill, which everyone should focus to develop all along.


. I am very social in my approach, which means I am able to cooperate with and gain cooperation from others. The reach is even deep with the ladies whom I can converse, convince and get convinced with much more ease.


10. It’s the smell of something new, which blooms up my day. I can give rise and create but maintaining is one of the lacunae I encounter.


11. Amoeba like nature gives me the power to mingle at ease and get accepted to any new group with the contagious energy levels.


1. I don’t believe in following the leader, taking orders squeeze my energy levels. Freedom in operations is an absolute must.


1. I am by nature an exhibitionist, I wont call it a deliberate attempt but stealing the limelight comes naturally to me. However this is dangerous in certain situations, like seeking the pleasure to sleep in class but get caught in this endeavour.


14. I am definitely an emotional animal. The feeling of being associated is of prime importance. If I don’t see my association I am rendered ineffe





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Sunday, September 2, 2012

nuccas

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Once upon a time there was a guy named billy. He didnt want to do his work so someone did it for him. I dont think Billy liked to do his work, as hey always went to the mall instead. He loved the mall of america, it was always the cutest mall in the whoile world. While at the mall that day he decided to buy some new shoes. Wlikes shoes you betho likes shoes you ask? Billy ! He even bought three pairs and went to town to show them off to his friends. Everyone loved them. Everyone in the town kicked dirt on his shoes and billy didnt like it one bit. He beat all the kids up and stole their lunch money. Is that not the worst thing? What a horrible day Billy said to Dwayne, and Dwayne replied I dont think they should have kicked dirt on your shoes, but at least you beat them up! Billy thought very different on the issue. He took Dwaynes arm and through it behind his back, stretching all the tendons until his face turned blue. Dwayne tried to reverse it with a kick to the knee, but Billy saw it coming and grabbed him by his genitals and smacked him across the face. Dwayne wriggled loose, and ran away. Billy got in the car and started pimping it. He picked up his favorite girls and let them get silly. He hit the gas, their hands crawled all over his body. Just when it was getting serious a police officer pulled them over. Quick to hide all the apparrel that could get him in trouble, he told hoe number one to shut her mouth and cram it...litterally.


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