Aetan Lit

If you order your cheap custom essays from our custom writing service you will receive a perfectly written assignment on Aetan Lit. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Aetan Lit paper right on time.

Our staff of freelance writers includes over 120 experts proficient in Aetan Lit, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Aetan Lit paper at affordable prices with cheap essay writing service!

Literary Arts

Aeta literary arts include riddles, folk narratives, legends, and myths

preserved through

oral tradition. Help with essay on Aetan Lit Riddles recorded among the Aeta of northern Cagayan province usually come in two

lines with assonantal rhyme (Whittle and Lusted 170)

Muminuddukam

A ningngijjitam. (Pinnia)

It wears a crown but isn't a queen

It has scales but isn't a fish. (Pineapple)

Assini nga pinasco ni Apu

Nga magismagel yu ulu na? (Simu)

There is a cave with a bolo in it

Full of bones it isn't a grave. (Mouth)

Ajjar tangapakking nga niuk

Awayya ipagalliuk. (Danum)

When you cut it

It is mended without a scar. (Water)

There is an Aeta creation legend which is also known to the Mangyan In the

beginning,

there was no earth, only a vast ocean. A winged king named Manaul escaped from

captivity under his bitter enemy Tubluck Lawi. After the daring escape, he

needed a

place to rest. Tired of flying continuously, King Manaul became angry against

the sky

and the ocean, who in turn retaliated with gigantic waves and ferocious winds.

But the

sky and ocean failed to punish Manaul because he was very light and agile. The

fighting raged on for years until all parties grew weary and gave in. King

Manaul then

asked for light, which was granted in the form of thousands of fireflies. He

asked for

counselors and was given all types of birds. Because of his hunger, Manaul ate

the

chicks, then the small birds. The remaining large birds, in turn, ate all the

fireflies.

Manaul felt insulted by the actions of his large birds and gave vent to his fury

against

the owls. He replaced their eyes with huge ones and obliged them to stay awake

all

night as punishment. Meanwhile, the king of the airangered by Manaul's

gluttony

in eating his counselorsreleased his wrath by stamping his feet and vomiting

lightning, thunderbolts, and winds. King Captan of the Higuecinas, the genius

among

the people of the sea, threw from the sky huge rocks and stones to crush Manaul,

but

missed. Thus land was formed (Eugenio 188-).

There are myths about the moon and the sun among several Aeta groups. The Aeta

of

Aparri, Cagayan look upon the moon as a deity and the companion of the star.

The

Mamanua also consider the moon sacred, and reduce bright fires while the moon is

rising. They make a lot of noise in order to frighten the serpent which is

believed to

have swallowed the moon or the sun during an eclipse. To recover the moon

during an

eclipse, the Aeta of Zambales also make a lot of noise.

According to the Mamanua, there was only one kind of people in the beginning.

Then

lightning struck the earth and set it on fire. Those who were singed black

became the

Mamanua. The Aeta of Capiz, Panay believe that their ancestor was the eldest of

three sons who was cursed because he laughed at his sleeping father. The sun's

heat

turned his skin black and his hair kinky. The Aeta of Bulacan tell the story of

a large

ape who stole fire from the supreme being named Kadai and set the world on fire.

The people who fled downstream became the Malays and those who were singed

became the Negrito (Maceda 164114, 11-10).

Performing Arts

Some of the musical instruments found (Kroeber 11) among the Aeta are the

flute,

the jew's harp made of a sliver of slit bamboo, a traded bronze gong, and the

bamboo

violin.

Instruments were documented in 11 by Norberto Romualdez (17) among the Aeta

groups. The kullibaw of the Aeta is a jews harp made of bamboo. The bansik

of the

Aeta of Zambales is a four-hole flute made of mountain cane. The kabungbung of

the

Aeta of Bataan is a guitar made of one closed node of bamboo, from which two

cords

are slit loose from the outer skin of the bamboo and given tension by brides. A

hole is

cut into the bamboo under the two cords for resonance. The gurimbaw of the Aeta

of

Tayabas has a bow called busog, a bamboo joint called bias, a string called gaka

made

from fibers of the lukmong vine, and a coconut resonator called kuhitan. The

aydluing

of the Mamanua is a long guitar with several strings, similar to the kudyapi of

other

Mindanao groups.

Garvan (16414) found flutes, the bamboo guitar, and jew's harp in

southwestern

Zambales; the long bamboo drums in western Pampanga; the nose flute in Tayabas,

Camarines, and Bataan; a bow-shaped instrument in northern Camarines; and a

bamboo

lute in midwestern Camarines.

The Agta of Peñablanca, Cagayan Valley in northeastern Luzon play several

instruments during weddings and festivities. The gassa are flat bronze gongs

which

may be replaced by metal plates or basins. These are struck by the hand and

usually

accompanied by bamboo instruments like the patagong, a quill-shaped bamboo tube

with a length of 4.5 centimeters and a diameter of 5 to 7.5 centimeters at the

node. At

the center of the bamboo tube, more than half of the bamboo is sliced away

according

to the vertical grain. The remaining section gradually narrows at the tip,

forming a

quill shape. The tapered tip shaped like a tongue is struck against two

patagong held

by the same player. It has a hole in its handle where the finger is placed to

change

pitch and timbre. The patagong is played along with the tongtong, a long and

slender

stamping tube, measuring 7.5 to 50 centimeters long and 5 to 7.5 centimeters in

diameter. Its bottom is closed by a node and the top is left open. It is

played by

striking the base on a hard surface (wood, stone, or cement flooring) to produce

a

hollow sound (Musical Instruments 1864-11).

To express sadness or lessen it , the Peñablanca Agta play the timawa, a 4.5-

centimeter-long musical bow made of a mature reed known as bikal. Its two

strings

come from a vine they call lanut. One end of the bow is placed in the player's

mouth

while he/she continuously strums the strings. The mouth serves as a resonator

for the

instrument. The player may also produce different pitches by changing the shape

of

the mouth or by blowing through the timawa.

In Palanan, Isabela, near Peñablanca, the Agta or Dumagat have a huge hunting

bow

called the busog which also functions as a musical instrument. Its body is 1.5

meters

long, made of a palm tree trunk called sakon, while the string is from a vine

called

dappig. To play the busog, one end of the instrument is attached to a winnower

laid

upside down on the ground serving as resonator. A tin or porcelain plate is

placed

between the string and the bow at the end, which is attached to the winnower.

The

player holds the bow 15 centimeters from the anchored end, while the thumb of

the

other hand strums the string rapidly.

Please note that this sample paper on Aetan Lit is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Aetan Lit, we are here to assist you. Your cheap research papers on Aetan Lit will be written from scratch, so you do not have to worry about its originality.

Order your authentic assignment from cheap essay writing service and you will be amazed at how easy it is to complete a quality custom paper within the shortest time possible!