Night By Elie WieselThemes assoication

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'Night' by Elie Wiesel is his personal account of his experiences in Nazi controlled concentration camps. The memoir begins towards the end of 141 and records his experiences of the inconceivable horrors committed by the Nazi's during World War II. The war had been raging for two years and was about to enter Sighet. The Germans believed in the Aryan race and attempted to commit genocide on the 'lesser' races, particularly Jews. Through the brutality witnessed, acts of selfishness, the death of his father and the loss of his faith Elie changed. The innocent, deeply religious child had become a young man with a strong sense of morality. By the end of the war Elie could barely recognise himself, the corpse in the mirror, because of what he had become in order to survive life in the camps.

The Nazi's were ruthless executioners. The moment the Germans entered Sighet they tormented the Jews. They forced them from their homes into Ghettos and took all their possessions. When Elie first observes the Germans he learns to hate them. Their merciless attacks on children, women and the elderly fuel his anger. "I began to hate them." When Elie arrives at Auschwitz he sees the evil in the Nazi's. Traumatised, Elie watches as truckloads of children are dumped into the flames. The horror of Auschwitz is etched into Elie's mind and has a dramatic effect on him. "How could they burn children?" The Germans murdering many innocent and defenceless Jews was an unforgettable experience that haunts Elie. "Never shall I forget." The Germans had systematic means for torturing Elie. They took away his identity and he became A-771. During the selection process Elie is forced to run naked in the shivering cold, like an animal. Yet Elie's 'nightmare' continues as he accidentally catches Idek sleeping with a woman and is punished for it. Elie is brutally tortured as an example by Idek. "I had fainted." Elie also is again brutally attacked by Idek in the warehouse when Idek has a fit of rage. Elie suffered greatly at the hands of the Nazi's. The events an innocent Elie witnessed exposed him to the dark side of mankind.

Elie came from a deeply religious Jewish community. As a young boy he was a very devout Jew and interested in Jewish mysticism. Elie had lived a sheltered life always praying and reflecting on his profound faith. He was one of 'God's elect' and he had lived only for God. Elie believed in God unconditionally. His religious faith evolves, but is never extinguished during his time in concentration camps. Elie believed that his faith would provide him with the answers.

At Auschwitz, Elie sees the notorious Nazi's at work and questions God. 'Why should I bless his name?' The 'nocturnal silence' that Elie hears from God causes him to lose confidence in God. Elie begins to rebel against God. When Elie sees the brutal hanging of the Pipel, he again turns against his beliefs. Elie's faith falters under the horrors he sees. Yet he returns back to his faith. He prayed to God to give him the strength 'never to do what Rabbi Eliahou's son had done' and thanked God for creating mud to keep his shoes.Buy custom Night By Elie WieselThemes assoication term paper

Elie's nature had changed. As he entered his manhood he was no longer the 'spoiled child', no longer the innocent boy but a young man exposed to the evils of war. He lost his innocence and learned the ability to lie and commit acts of selfishness. When Elie sees Stein he lies about his family to give him hope. Elie also acts selfish "I had lost nothing for my crown." Elie's previous reality had diminished. Near the end of the Jewish New Year Elie accuses God again. 'Why do you still trouble their sick minds?' Elie believed that his God would protect his people, but attack's his people for their inability to realise the truth of the situation. Elie comes to understand man makes his own decision. Elie never suggest that God didn't exist; rather he rebels against God for not helping him. I did not deny Gods existence, but I doubted His absolute justice. Elie's anger is targeted at God's absolute justice. Though Elie survived the ordeal he had changed losing his profound faith.

Elie and Chlomo's relationship had changed when they entered the concentration camps. Elie's father was 'cultured rather unsentimental man'. He never displayed emotion, but was devoted to his family 'always acting in a business like manner'. Chlomo is depicted as conservative individual well respected in the community and among his family.

When Elie and Chlomo are taken to concentration camps in Czechoslovakia and Germany, they are separated from their family forever. Elie and Chlomo manage to remain close during their entire stay in concentration camps. Throughout their time in the camps, Elie and Chlomo depend on each other for survival. 'What would I do without him? As their relationship develops Elie comes to realise how much he cares for his father. When the two arrive at Birkenau, Elie clings to his father so 'not to lose him.' Throughout their camp life the bond between the two is strong. Chlomo's paramount concern is his sons' well being. When Chlomo is picked in selection he gives Elie his 'inheritance'. Chlomo believed he has about to be killed yet he still trying to protect Elie. When Elie is required to give up his golden crown to Franek the foreman, it is Chlomo who suffers trying to help Elie keep it. However as sons are abandoning their fathers in selfish acts we see Elie begin to support Chlomo. Elie fights to save his father because Chlomo is all he has. Elie was entering manhood, from a dependent child to a responsible man. Yet when Chlomo dies we see Elie grieve deeply for his father. Elie begins to lose his fight for life. "no more reason to live." The death of Chlomo had changed Elie and scarred him for life. "Had I changed so much?" A once spirited Elie had no become dejected because of his father's death.

Elie Wiesel's 'Night' accounts his experience in the Nazi death camps. Set during World War II the autobiographical account deals with the atrocities committed by the Nazi's. The Germans had invaded all of Europe and Hitler had commenced his "Final Solution" and tried to commit genocide against the lesser races. Elie experiences in Nazi's camps changed him deeply. Elie had lost a great deal through the war and this changed him dramatically. The evil and brutality he witnessed had negative psychological that haunted him throughout his life. Through experiencing the horrors of Auschwitz and the evils of the Germans Elie lost his profound faith. The death of Elie's father had another dramatic effect on Elie. From being a joyous child Elie had become a sullen young man. The most important change in Elie was the value system that he developed during the ordeal. Though Elie lost his profound faith he managed to keep his morals and values "The child that I was had been consumed in the flames."

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Portstewart sculpture

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The final piece of sculpture that I researched is called 'The Sailing Ship' and is mounted on a concrete dais and placed in the Burnside roundabout. The ship is of some relevance to the life and work of the late Jimmy Kennedy. (Plate ).

The Coleraine Borough Council commissioned this sculpture and the Landscape Architect, Stephen Todd of 'Stephen Todd Art and Sculpture' was chosen to create a piece of work which would reflect the area and give it a sense of place. I was fortunate enough to achieve an interview with the sculptor Stephen Todd.

Stephen Todd trained as a Landscape Architect, and achieved a B.A. (Hons) in Landscape Design from Manchester Poly Technical College. He has been inspired by the work of Richard Serra, born in 1, who works in a Minimalist style. In the 1070's and 180's Serra produced large-scale sculptures, out-of-doors and used combined sheets of steel with a landscape environment. Therefore the sculpture became part of the landscape.

Mr.Todd noticed that the Coleriane Council were supporting a scheme, which enables businesses to have the opportunity to sponsor the cost of landscaping on Coleraine's roundabouts. He liked the proposed scheme and felt that there was an opportunity to create something more dramatic and creative due to the local area's rich history.

The Council rejected the initial proposal for the Burnside roundabout, as they were anxious that it would be too big a distraction for road users. It would have involved multi-coloured windsocks, similar to those found near an airport. Considering the beach is so close to the Burnside roundabout and Stephen Todd is a keen windsurfer he tried to introduce the windsocks as a fun element as well as a local reference.

The second proposal was a sailing ship. The Council refused to allocate a large amount of capital to the project, and so the second proposal was simply a wooden boat, with a steel mast, which would have flowers growing out of it. However, luckily enough the Department Manger of the Coleraine Borough Council was also keen to see something more creative and original and so the final design of the Burnside Roundabout was decided.

(Plate )

The sculpture is approximately eight metres high and is made of Stainless Steel, to prevent rusting. The material, I feel accentuates the essence of the sculpture. Stephen Todd agrees as he says; ' it reflects the light in a spectacular fashion. As the sun sets, the sculpture frequently turns red. On grey and cold days any available light makes the form shimmer'.

The 'Sailing Ship' is geometric and simple. This is to achieve than highest impact as possible with such a large sculpture. Stephen Todd feels that unnecessary decoration or complication could detract from the sheer drama of the form. This is the reason for the absence of a floodlight to illuminate it at night as passing cars lights give it the effect needed.

Foliage and boulders to give it a more realistic sense surround it. The shrubs that have been planted will have to tolerate harsh seaside weather conditions and then produce enough colour and effect to endure the summer months. The boulders are igneous rock, which reflects the Bar Mouth.

(Plate ).

The site for the sculpture is also significant. The Burnside roundabout is a junction leading off into four roads. One way takes you to Portrush, one way to Coleraine, another to the main Promenade of Portstewart and

finally one road leads to the beach. This sculpture then welcomes a large amount of tourists, as it is the gateway to the North Coast. (Plate ).

Finally, Todd intends to, in conjunction with Coleraine Council, to create more sculpture for the remaining roundabouts in the area. These include, a large Bann Disc on Wattson Roundabout, the Bann Disc being an ancient artefact, which the Coleraine Historical Society uses as their logo. A Viking ship, Mesolithic Hut, Causeway Stones and White Rocks will be placed on the Portrush Road Roundabout. Finally, the Station Road Roundabout will sport a wind vane with seagulls and a herring shoal at its crown. In conclusion, I agree with Stephen Todd,

'If a sculpture requires a lot of waffle to justify itself then it is lacking the key ingredient, a sense of place'.

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Relationships in the Merchant of Venice

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Antonio is never with a woman in the play and the only time he talks about love it is about his love for Bassanio. In Act IV, scene 1, Antonio says Commend me to your honourable wife. Tell her the process of Antonios end. Say how I lov'd you, speak me fair in death and when the tale is told, bid her be judge. Whether Bassanio had not once a love.

Antonio loves Bassanio so deeply he is willing to die, and before that he is willing to give him to Portia, because Bassanio has no idea how deep Antonios love runs.

When Antonio sends Bassanio a letter to ask him to return, telling him of the failure of his ships he includes the line if your love does not persuade you to come, let not my words. I think this shows that he wants to test Bassanios love, and though deep down he knows that Bassanio is not gay and is quite happy with Portia, he probably knows also that Bassanio still cares about him and will come and then he can comfort himself with the idea that it was Bassanios love that brought him there.

Bassanio left Belmont to save Antonio; he could have just sent the money to Shylock. Portia would have had enough money. In Elizabethan times a man would not leave his wife so soon after he had married her. Another reason that shows Bassanio's love for Antonio is the ring. Portia gave Bassanio the ring to symbolize her love him and makes him promise to never give it up but when Portia pretends to be , Balthazaar and asks for the ring Antonio's first reaction is to refuse but Antonio convinces him to give Portia the ring, if Antonio can convince Bassanio to give up something that means so much to his wife then his feeling for Antonio must be very strong.

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In the beginning of the play Bassanio say to Antonio To you, Antonio, I owe the most in money and in love and I have thought of a plan to pay everything I owe if you will but help me. This tells us that Antonio only planned on marrying Portia because she was rich and he needed the money.

When Shylock said he would take a pound of flesh if Antonio did not repay his loan Antonio said No, you shall run no such risk for me. Bassanio was not willing to let Antonio risk his life I think this is because of his love towards Antonio.

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BNW/Blade Runner

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Aldous Huxley's Brave New World and Ridley Scott's Blade Runner both explore the way in which the essence of human relationships has turned from the natural to the unnatural. In BNW, Huxley contrasts the natural tribalistic world of the Malypai Reservation with the totalitarian and unnatural world of the World State. Similarly, Ridley Scott represents a world where humans have abandoned nature and in turn have become a ravaged world of artificiality. Both texts represent humans' abandonment of nature through biological manipulation and the exploiting of technology.

In his novel BNW, Aldous Huxley has cleverly represented the changing nature of human relationships, where the essence has turned from the natural to the unnatural. He does this by contrasting the natural Malypai Reservation with the post modern World State. BNW depicts a world controlled and dominated by science and technology. It is a world whereby nature is a puppet of science, and all humans are products of a decanting process and are categorised into social classes as "Alphas…Epsilons" in the pursuit of social "community, identity, stability". Individuality, which is intrinsic to natural human behaviour, is non-existent in the BNW as humans live a predestined life and their only purpose is to benefit the economy. These humans have been artificially conditioned to be devoid of any free thinking or non-conformist attitudes. The general aim of conditioning eliminates the generation of opinion by "making people like the inescapable social destiny" (p 1) and this is done through the method of hypnopaedia. Furthermore, natural emotions synonymous to humans such as love and affection have been devalued in the BNW, and are replaced with open promiscuity, "orgie porgies" and "feelies". Any human in the World State displaying an indication of individuality or freethinking are banished to remote islands. All sense of humanity is lost in the BNW, as the world is devoid of any individuality, freedoms, traditions and emotions. This exploitation of science and technology has caused the relationships between humans to be insincere and unnatural.

The New World State of BNW compiled of unnatural relationships is contrasted vividly with the Savage Reservation that typifies what true natural human relationships are comprised of. Unlike the world of London 6AF, the old world of New Mexico embraces free thinking, individuality, emotions, religion and natural biological processes. This is made evident through the character of John, who openly mocks the customs and ideals of the New World. John's savage world exploits natural human relations and explicitly forbids any unnatural interference. The world holds on to natural conceptions as the source of life, and is devoid of any advanced technologies, thus enabling man to be present in its raw and pure state. Intrinsic human characteristics and emotions are made conspicuous in this technology free world. It is through John's entry into London that the contradiction between the natural and unnatural is most evident. Unable to comprehend the thoughts and ideals of BNW's conditioned humans, John questions the benefits of such an advanced world. At the idea of soma being given to his mother, John defiantly objects to its opposed benefits by saying "I don't believe it's right". The people of the old Savage Reservation demonstrate and flaunt the simple minute aspects of life that make their human relationships natural. Although ravaged with disease, suffering and poverty, the old world experiences emotions, freedom and individuality, all of which are central to nature and humanity. It is through the experiences of John the Savage and those of the Malypai Reservation that we are able to distinguish between the natural human relationships and the unnatural human relationships.

Similarly, Ridley Scott's Blade Runner is a further example of how the essence of human relationships has turned from the natural to the unnatural. Scott employs the filmic techniques of film noir and mis-en-scene to help identify with the world of Los Angeles 01, "the city of angels", or in this case, fallen angels. In this bleak and morbid world, the natural world has been ravaged by humans and as a result has become a wasteland of flawed people, and thus the essence of human relationships has turned from the natural to the unnatural. This is made most evident in the film's establishing shot, where three factory furnaces are belching fire and smoke into the sky, perpetual acid rain and pollution blankets the city. The people of BR appear to be nomadic and dysfunctional. Contradictory to the laws of nature, animals are synthetically made, as are the replicants, who display traits that are "more human than human". It is quite evident in this film that nature is non-existent, with a tediously glowing sun being the only sign of life in tis dreary world. Thus humans have abandoned nature for a more precarious life of scientific evolution.

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Furthermore, the deterioration of natural human relationships is made more apparent with Tyrell's creation of replicants. These replicants, an exhibit of Tyrell's supremacy and authority are ironically the sole beings on the ravaged planet to display the natural essence of human relationships. These Nexus 6 replicants were created to be devoid of any humanistic emotion and a four year life span was imposed to prevent any rebellion on their part. However, their culminated experiences in the world allowed them to develop emotions, a conscience and intelligence that far outweighed that of their human counterparts. It is for this reason, the replicants are said to be 'more human than human'. This concept is exemplified vividly through the character of Roy Batty, who unlike the supposed human Deckard, displays profound and sincere emotions of sorrow, empathy, passion and love. At the time of Pris' death, Roy was ironically overcome with intense sorrow, anger and love, contradictory to the human Deckard, who demonstrates no emotions to the sight of death. It is thus ironic that the replicants who are a representation of artificiality have developed relationships that are the epitome of nature itself. Thus the essence of human relationships within BR has turned from the natural (humans) to the unnatural (replicants).

Both texts, Aldous Huxley's Brave New World and Ridley Scott's Blade Runner use the technique of contradiction to explore the way in which the essence of human relationships has turned from the natural to the unnatural. BNW uses the character of John the Savage to contrast between the natural world of the Malypai Reservation and the unnatural world of London 6AF. In this BNW, humans have abandoned the natural human relationships as displayed in the Savage Reservation for a world devoid of any traits intrinsic to humanity and man. Similarly, in the world of BR, it is the artificial and unnatural beings that display the true essence of natural human relationships, whereas the authentic humans exhibit unnatural human relationships.

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GRE sample essay

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GRE Sample essay

It is easy to sympathize with the sentiment expressed in the topic statement. After all, no one wants to feel inadequate to any task, including appreciating art in its various forms. This is perhaps why we¡¯ve all been in the modern wing of a museum, perhaps looking at a cubist Picasso, and heard someone whisper, ¡°My seven-year old can draw better than that.¡± But surely the fact that not everyone is sufficiently familiar with the artistic concerns that gave rise to cubism means that the entire movement was a scam.

The composer Leonard Bernstein, in his popular book on music (the title of which escapes me), wrote that there are three levels of understanding or appreciation of music. The most fundamental of these is the literal level of melody and words; the intermediate level is where we find elements of harmony and structure; and the most abstract level, one which Bernstein says very few are sufficiently trained to appreciate, involves the interaction of purely musical values. Surely, the same taxonomy may be applied to both painting and literature. Everyone can appreciate the subject matter of a realistic landscape, but fewer the techniques such as brush strokes and compositional decision, and still fewer the purely ¡°painterly¡± consideration such as tonal values. Or in literature, everyone can follow the plot of Shakespeare¡¯s ¡°Romeo and Juliet,¡± and many can appreciate the poetic deployment of language, but only those who have given some study will know that the prologue is in sonnet form that is echoed by the speeches of the balcony scene.

The challenge of some works of art, then, is that they address themselves more to the highest, most abstract level of appreciation. A painting that seems to be ¡°nothing more that some painted rectangles¡± does not appeal to the basic or even the intermediate levels of understanding. The artist¡¯s goal is to explore the purely ¡°painterly¡± values that play on that highest level.

Actually, it doesn¡¯t even require so much argument to demonstrate that the statement, at least as written, must be wrong. Just show our whisperer (first paragraph) one of Picasso¡¯s more representational paintings. At that point it should become clear that by any measure Picasso was a genius. Instead, we should qualify the statement to say that many great works of art appeal to many people, but some great works of art appeal only to a few.

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The Role is "Mother" is forever changed

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The Role is "Mother" is forever changed

The Revolt of "Mother" is a story about a mother named Sarah Penn who began a revolution of motherhood. Mrs. Penn takes action against her husband by moving her family into the new barn as their new home. Mary E. Wilkins Freeman's The Revolt of "Mother" was a new type of literature in 181 that started a change in society. Freeman's The Revolt of "Mother" is an historical piece of literature that started a revolution of the role mother.

Mrs. Penn is married to her husband Adoniram for 40 years. They have two children, soon to marry daughter Nanny, and younger schoolboy son Sammy. Like all mothers, Mrs. Penn is a stay at home housewife. Mrs. Penn is superb at cleaning around the house. She washes, sweeps, and scrubs her house like an artist. "She was a masterly keeper of her box of a house" (Freeman 570). And like every household, the wife's say compared to the husband's say is worthless. Mothers always take a back seat to their husbands. Adoniram continuously ignores Mrs. Penn's question regarding physical action outside the home. "I wish you'd go into the house, mother, an' 'tend to your own affairs" (Freeman 568). Nevertheless, Mrs. Penn is a loving wife of 40 years. She tends to her husband by baking twice a week, cooking, and cleaning despite her anger and frustration towards him. "However deep a resentment she might be forced to hold against her husband, she would never fail in sedulous attention to his wants" (Freeman 571). Mrs. Penn also tends to her children with responsibilities as a loving mother. Mrs. Penn attends to both children with food, discipline, and guidance. She explains to Nanny on how men see women. "One of these days you'll find it out, an' then you'll know that we know only what men-folks think we do, so far as any use if it goes, an' how we'd ought to reckon men-folks in the Providence, an' not complain of what they do any more than we do of the weather" (Freeman 570). Despite all her suffering and frustration, Mrs. Penn keeps going strong and stays within her place as a wife and mother.

In her 40 years of marriage, Mrs. Penn's hopes of a new house are diminishing. So when the opportunity arrives, Mrs. Penn takes matters into her own hands by revolting as a wife and mother against Adoniram's society when he leaves town. Mrs. Penn now becomes superhuman giving orders to a grown man who is working for Adoniram. "Stop! … Don't you put the hay in that barn; put it in the old one" (Freeman 575). Mrs. Penn also becomes demanding with her children to pack their things and move it into the new barn that will be their new home. "…Nanny, I want you to go up-stairs an' pack up your things; an' I want you, Sammy, to help me take down the bed in the bedroom" (Freeman 576). Nanny and Sammy were obviously overwhelmed with their mother's new attitude. "Nanny and Sammy followed their mother's instructions without a murmur; indeed, they were overawed" (Freeman 576). But when Adoniram returns home with new livestock, he is shock and feels disrespected by his own family. But before Adoniram could show any retaliation, Sammy steps forward and confronts him by saying "we've come here to live, father" (Freeman 578). A son standing up to his father in this time period is uncommon, but it's obvious his mother motivated him. Mrs. Penn also takes stand in his presence by speaking out of her place and states what she did is right for the family. "The house wa'n't fit for us to live in any longer, an' I made up my mind I wa'n't goin' to stay there. I've done my duty by you forty year, an' I'm goin' to do it now; but I'm goin' to live here" (Freeman 578). Adoniram soon gives in to Mrs. Penn and breaks down in tears symbolizing a setback in his manhood.

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Freeman's The Revolt of "Mother" is a start of a revolution of a woman's role as a mother, and a wife. Mrs. Penn's revolt against her husband was limited due to their present time period of 181. Overall, it changed and expanded the roles of mothers as time grew older.

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Children under the influence

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Many people believe that children are more easily influenced by different ideas and stereotypes at a young age. Veronica Chambers and Scott Russell Sanders are two people with such beliefs. Chambers wrote about how she believed that because the Cinderella story was portrayed completely by whites that young children of different races would believe they couldn't become princes or princesses. Sanders wrote about how growing up around different classes of people changed his views of how their lives are. His idea of the average man was someone who worked in coalmines and basically worked himself to death. I disagree with these authors' ideas. I do believe children are somewhat influenced by what they are exposed to as they are growing up. But I also think that now children are exposed to so many different cultures and classes that they are not as easily influenced by any one of them.

Sanders described the working class men that he remembers from his childhood. He was only exposed to the lower class men who had to work themselves to death to survive. Sanders believes women have a harder life because they have so many paths to choose from in life. He noticed later in life that these views changed between different social classes. His fiend Anneke told him that she thought men had a harder life because they were eaten up with guilt. I believe that this is rarely the case now. Children are exposed to many different classes of people threw the Internet and television. I think children now have a better understanding of different classes.

Chambers believed that the Cinderella story was politically incorrect by having only whites in the play. Chambers believed that other races of girls and boys would feel they could not be princesses or princes because the characters in the plays and movies were not the same race. I think this is absolutely ridiculous. I think children are mostly unaware of the difference of race. The only reason children discriminate themselves from the characters in Cinderella is because of the beliefs their parents raised them with. No one is born believing they are different from anyone else.

With modern technology children are exposed to many different things. They associate themselves with different classes of people and different races without thinking twice. Many white children have grown up watching the Cosby show.

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