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Wednesday, September 11, 2019

Mustpha mond- an outsider?

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The character of Mustopha mond is unique; very much like the commander in The Handmaids Tale by Margaret Atwood. Despite being one of the ten world controllers, the epitome of the society he created, he is the exception to the rule. All the outsiders in Brave New World are aware that they are different and all of which act upon that feeling and are punished. However, Mustopha doesnt, in fact he is the one who punishes the Bernard, John and Helmholtz. The phrase its lonely at the topmay apply to Mustopha, but his representation throughout the novel, is one of consistency and we like him. Unlike some of the other characters in the text. Bernard for example, he starts off as the main character and switches from a lonely, haunted and vulnerable character to a self-obsessed and conceited one. John, his self-punishment is jarring to a modern-day audience and as readers we seperate become distant from him and withdraw much of our empathy.


Mustopha Mond is the only consistant character who is aware of his place in society in its true context. He is highly hypocritical yet he is in the position to be able to read Shakespeare and get away with it. Just like the Commander can take Offred to the hotel as a prostitute and have pleasurable sex with her. Her represents a common theme which runs through distopias; that power corrupts and isolates. Mustopha encompasses all the things he imposes on the Bokonoskvi groups he creates.This is Huxley commenting on the hypocritical nature of the fascist and communist regimes of the twentieth century.Mustopha is an outsider, but has the power to be overlooked.


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Tuesday, September 10, 2019

Comparative essay: the catcher in the rye vs. lord of the flies

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Comparative Essay The Catcher in the Rye vs. Lord of the Flies


The novels Lord of the Flies and The Catcher in the Rye share similar themes. One of


these themes is the loss of innocence as one is faced with new responsibilities and the transition


from childhood into the corruption of the adult world. The main characters in these novels Buy custom comparative essay: the catcher in the rye vs. lord of the flies term paper


encounter situations that help them mature, and situations that bring them into the evils of the


adult world. By becoming mature, learning to act responsible, and encountering death, the


characters lose their innocence and come into the adult world.


Evidence that the characters were maturing was present in Lord of the Flies, The


characters show signs of maturing at the very beginning of the novel. After they realize that there


are no adults and that they will have to, "look after [themselves]" (Golding, 1), they quickly elect


Ralph as their chief. Being chief, Ralph is expected to act responsibly with the power that his


status brought to him. He gives the others jobs to do and establishes temporary order in the new


"tribe" with, "rules... lots of rules!" (Golding, ). Even with the new rules and leadership


established, the boys on the island, according to Piggy, are "acting like a crowd of kids" (Golding,


8). Piggy acts maturely throughout the novel. His opinion is ignored at first, but he quickly


learns to speak up when the boys accidentally set half of the forest on fire, "Piggy [loses] his


temper" (Golding 45), and points out how irresponsible the boys are acting, "... the first time


Ralph says 'fire' you fo howling and screaming up the mountain. Like a pack of kids!" How can


you expect to be rescued if you don't put first things first" (Golding, 45). Jack shows a sign of


maturity after he disobeys Ralph's orders and lets the fire to out, "Im sorry. About the fire. I


mean, there. I I apologize (Golding 7).


Holden Caulfield, the main character in The Catcher in the Rye, has a difficult time coming


into the adult world. "I act quite young for my age... and sometimes I act like I'm 1... one side of


my head is filled with gray hairs (Salinger, ), this reveals that Holden has doubts about acting


mature, because that means leaving his childhood behind. His one side of gray hair shows that a


part of him is already coming into the adult world and the other part of him wants to stay innocent


and protected. Holden attempts to act mature around adults, but his childish thoughts sometimes


show through, especially when he reveals his childish curiosity about the ducks in Central Park.


Holden's attempts to enter the adult world are made clear during his attempts to order alcohol in


bars. Even though he is sometimes denied because of his age, these attempts show that he is still


trying to enter the adult world, because drinking alcohol is a symbol of age and maturity. The


evidence that Holden matured through the novel is strongest when the above statements are


contrasted with the end of the novel, when holden realizes that he cant protect everyone from


everything, "the thing with kids is, if they want to grab the gold ring, you have to let them do it,


and not say anything. If they fall off, they fall off, but its bad if you say anything to them"


(Salinger, 11). The characters in both novels mature at their own pace and in their own unique


ways, however they all have trouble with the transition, facing many difficult situations and


setbacks, all of which help them grow and continue into adulthood.


The main characters in Lord of the Flies have experiences involving death that contribute


to their fall from innocence. The characters witness or contribute to the death of animals and


humans in this novel. At the beginning of the novel, Jack Merridew thinks that he wants to kill,


but is hesitant to do it, "They knew very well why he hadn't [killed the pig] because of the


enormity of the knife descending and cutting into living flesh; because of the unbearable blood."


(Golding, 1). When Jack's second attempt to kill fails, "he tried to convey the compulsion to


track down and kill that was swallowing him up... [and he said] I thought I might kill. Next


time!' " (Golding 51). These two failures, especially the first one, reveal that Jack is still holding


on to the innocence that killing a living thing will take away. He has the desire to take a life as a


right of passage into adulthood, but he fails because he is still hanging onto his innocence. During


Jack's third attempt, and his first success at killing, he is accompanied by his "hunters", which are


the boys from the choir. The hunters chant "Kill the pig. Cut her throat. Spill her blood" (Golding


6), as they come toward Ralph to tell him about their experience. The new experience consumed


Jack, "His mind was crowded with memories... of the knowledge that had come to them when


they closed in on the struggling pig, knowledge that they had out witted a living thing, imposed


their will upon it, taken away it's life like a long satisfying drink" (Golding 70). This kill,


contributing to the loss of innocence and acting as a passage into the adult world, is not the end of


Jack's exposure to the corruption of the adult world. Jack and his hunters break off into their own


tribe and kill one more pig before Jack and his tribe ultimately lose every bit of their innocence.


That night, around the fire roasting the dead pig, the boys get caught up in the moment and make


a terrible mistake, "A thing was crawling out of the forest... Simon was crying out something


about a dead man on a hill, [the boys yelled] 'Kill the beast! Cut his throat! Spill his blood! Do


him in!'... the beast was on its knees in the center [of the circle]...It was crying out... about a body


on the hill... [the beast] fell over the steep edge of the rock to the sand by the water" (Golding


15-15). Simon is dead because the boys discovered that they can take a life, but do not have the


discipline, (that comes with maturity), to control their urges. When Ralph and Piggy approach the


hunters, Piggy is struck with a rock and killed in their attempt to hit Ralph. Realizing all that had


happened to the boys on the island, "Ralph wept for the end of innocence, the darkness of man's


heart, and the fall through the air of the true, wise friend called Piggy" (Golding 0).


Holden's experiences with death in Catcher in the Rye are not as severe in contrast with


the experiences of the boys in Lord of the Flies. Holden's experiences with death include losing a


loved one, knowing a person who committed suicide, and his own suicidal thoughts. Holden had


been exposed to death at an early age, "My brother Allie... he's dead now. He got leukemia and


died... on July 18, 146... I slept in the garage the night that he died and I broke all the goddamn


windows with my fist." (Salinger, 8-). When Holden is walking, drunk, in Central Park on a


cold night he thinks that he might get pneumonia and starts to think about what people would do


if he died. This makes him think of Allie, "I certainly don't like seeing him in that crazy cemetery.


Surrounded by dead guys and tombstones and all" (Salinger,155), this shows that Holden is


hanging on to the innocence that his brothers death would have taken away from him if Holden


had accepted it. He sees his brother as a model of innocence, he died when he was young so he


will forever be young. Phoebe helps Holden come to the realization that their brother is dead


when Holden visits her, "Allie's dead you always say that! If somebody's dead and everything,


and in heaven, then it isn't really" (Salinger 171). Another experience with death that Holden


talks about is James Castle, "I won't even tell you what they did to himits too repulsivebut he


still wouldn't take [what he said] back...finally what he did instead... he jumped out the window"


(Salinger 170). Holden's suicidal thoughts and thoughts about killing reveal an obsession with


death that he has, "...pretending I had a bullet in my guts. Old Maurice had plugged me... I


pictured myself coming out of the bathroom... as soon as Old Maurice opened the doors, he'd see


me with the automatic in my hand... I'd plug him anyway. Six shots right through his fat hairy


belly" (Salinger 104). These experiences with death show Holden's progressing fall from


innocence, even though a part of him wants to hold on to it. The thoughts that he has reveal that


he is coming into the corrupt adult world whether he likes it or not.


The many encounters with death that the characters in both novels experienced, had a


significant impact on their corruption and loss of innocence. With those, and other experiences,


most of them learned to act mature and responsible, with the exception of Jack, who lost his


ability to do so as the novel progressed. The themes of transition from childhood into adulthood


and the and the loss of innocence were demonstrated clearly by both Salinger and Golding.


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Friday, September 6, 2019

The United States Involvement with Israel Historic and Present

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Hunter 1


Since the State of Israel was founded in 148, the United States


government has supported them through war and turmoil. The roots of


Americas particpation on the side of Israel can be traced back directly to


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Harry Trumans presidential administration. Eleven minutes after the


founding of Israel the United States recognized it as a sovereign nation.


Since that day, U. S. politics have balanced in policy between supporting


Israel and access to Middle Eastern oil (Grier 1-).


In October of 17, President Richard Nixon met with his Secretary of


State, Henry Kissinger to discuss the current war in the Middle East. Just


one day earlier the armies of Egypt and Syria had launched a surprise attack


on the Israelis. Kissinger informed the president that Israel was requesting


logistical support in the form of sidewinder missiles and ammunition.


Confident that he was picking the winning team, President Nixon agreed to


grant Israels request (Grier5).


It was predicted that Israel would win the war quickly; as they had in


the Six Day War of 167. The victory, however, did not come quickly.


After 16 days of intense fighting, and with the support of American transport


planes and F-4 Phantom Jets the Israeli army emerged as the victors. But,


Hunter


in order to calm the raging tensions in the Middle East, there would have to


be negotiations for the return of the lands captured by Israel. Again the


United States took a piece of the action (Grier 6).


The end of the Yom Kippur War was the beginning of the American


hard-bargaining mediator phase. This era was marked by difficult, seemingly


successful negotiations, followed by dramatic agreement , handshaking, and


soaring hopes, and then a crash back to earth as neither side followed


through on what they agreed to. Peter Grier of The Christian Science


Monitor notes


Consider the Camp David accords -still the


most important Middle East pact to which


the US has served as midwife. President


Jimmy Carter had taken office promising a


new look for US foreign policy.The hard


realpolitik of the Nixon-Ford era, when


everything was seen through the lens of the


cold war, would be modified. In its place


would be an attempt to deal with regional


Hunter


problems on their own terms. In the Middle


East, that meant a comprehensive approach


to Israeli-Arab differences, including some


sort of solution solution for the problem of


displaced palestinians (Grier 7).


At that time the United States relations with Israel peaked. Support for Israel


accounted for a whopping thirty-four percent of total United States foreign


aid.


In 181 The United States supported Israel with nearly two and one


half billion dollars in aid. Of that figure, less than half was a loan to be repaid


(U.S. Assitance 1). Also in 181, on seven June, the Israeli Defense Forces


launched a lightning fast airstrike comprised of F15 and F16 fighter jets


toward the Osirak nuclear facility near Baghdad, Iraq. One minute and


twenty seconds after the assault had begun, the nuclear reactor lay in ruins


(Raid 1). That July, after fighting between Israel and the Palestinians in


Lebanon, President Reagans special envoy, Philip C. Habib helped secure a


cease fire agreement (Background 14).


Ten years later, as the Allied Coalition Forces were removing Saddam


Hunter 4


Hussein and his troops from Kuwait, Iraq launched multiple missile volleys


toward Israel. As opposed to entering the war directly, Israel relied on the


United States Army to deflect the missile attacks (Background 15).


The Bureau of Near Eastern Affairs, a branch of the U. S. State


Department reported


On September 1, 1, Israel and the PLO


signed a Declaration of Principles (DOP) on


the South Lawn of the White House. The


declaration was a major conceptual


breakthrough achieved under the Madrid


framework. It established an ambitious set of


objectives relating to a transfer of authority


from Israel to an interim Palestinian


authority. The DOP established May 1 as


the date by which a permanent status


agreement for the West Bank and Gaza Strip


would take effect. Israel and the PLO


subsequently signed the Gaza-Jericho


Hunter 5


Agreement on May 4, 14, and the


Agreement on Preparatory Transfer of


Powers and Responsibilities on August ,


14, which began the process of


transferring authority from Israel to the


Palestinians (Background 17).


Obviously, the historic peace accords would not hold their water in the long


run, as the turmoil continued into the twenty-first century.


On a videotaped statement released on seven October 001, Osama


Bin Ladin said, Neither America nor the people who live in it will dream of


security before we live it in Palestine (qtd. on CNN). By this it can be


understood that the United States will be plagued by terrorism as long as it


allies itself with and provides support for The State of Israel (Grier ).


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Thursday, September 5, 2019

Homer and his influence on Western Culture

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Homer and his Influence on Western Culture


Homer influenced Greek values by articulating the value of Archaic Period, otherwise known as Homeric Period. In his two most famous books, The Iliad and The Odyssey, those principles are seen in situations and characters. The Greeks in consider Homer's two epics as the highest cultural achievement of their people, the defining moment in Greek culture, which set the basic Greek character in stone. These texts occupy a central position in the self-definition of Western culture. They both concern the great defining battle of Greek culture, The Trojan War.


The Iliad is the story of a short event that happened during the ninth year of a so-called ten-year war. There is a clash between the two Greek commanders, Agamemnon and Achilleus. Agamemnon is upset with Achilleus because he blames him for the loss of his concubine. For that Agamemnon revenges for Achilleus's concubine. Achilleus is angered and departs from the Greek army. This departure leads to the defeat of the Greeks and the killing of Agamemnon by Trojan hero Hector. When this happens Achilleus joins the battle once again and kills Hector.


The Odyssey is the story of the homecoming of another Greek hero Odysseus. Odysseus was not famous for his strength or bravery, but for his ability to deceive and trick. He was not in good terms with the gods so they didn't let him return home till his tenth year so he could fight off suitors of his wife. It talks about all the difficulties he faced over the course of ten years.


One of the characteristics of a good story, now as then, is that the audience must be captivated. Homer achieves this using many different techniques. He composed the Odyssey and the Iliad in long lines of six beats each called Dactylic Hexameter, which the ancients thought suited the formality of epic poetry. In every other sense as well, including the nature of the language and the subject, the verse of Homer is poetry. Most significantly, Homers verses were meant to be heard, not read. Its power and beauty come from several effects, chiefly the musicality of the language and the marked rhythm of the line. He uses a lot of metaphors, suspense, and supernatural. Homer has a constant repetition of phrases, whole lines, and even passages that make his writing style very distinctive. This way of composing helps the audience in remembering details of the story. While we may find this merely repetitive, even annoying, the ancient audience was listening, not reading, and enjoying the play of words and language. These repetitions are essential to the oral style of composition called oral-formulaic. In oral-formulaic traditions, generations of poet performers develop a special poetic language that consists of a number of musical phrases and longer story elements out of which long narrative poems are constructed. In the Iliad when he mentions Achilleus it is complemented by the phrase "of the swift feet". His began many speeches with phrases "Then in answer again spoke…" and "So he spoke." There are very important words repeatedly used in Homer's works honor, virtue, and greatness.


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Wednesday, September 4, 2019

Australian beginnings

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Background


Matthew Flinders was born the oldest son of a surgeon-apothecary in the market town of Donington, Lincolnshire, in 1774. When Flinders was young he dreamed of wealth and fame, while reading of exotic locations in Robinson Crusoe and conscious of complaints by his father about their lack of money.


Matthew Flinders refused to follow in the footsteps of his father into medical practice. Instead he decided to pursue a career in the Royal Navy, where there was the prospect of prize money and the chance to make a name for himself.


When Flinders was fifteen years old he joined the H.M.S ALERT in October 178, as a Lieutenant's servant. In 171 he sailed with Captain Bligh on the Providence and later with Captain Hunter. During the late 170's Flinders' sailed to Australia and established him as a first class navigator, an excellent cartographer and a man of determination. Flinders was a self-educated navigator.Cheap University Papers on Australian beginnings


Matthew Flinders was a diminutive man at just 167 cm; he was fearless to the point of recklessness. This is what enabled him to captain his ship, Investigator, around the uncharted and treacherous Australian coastline. It is also what is believed to have led him to his imprisonment for six and a half years, when he should have been living in the glory of his achievements.


Achievements and Difficulties


In 175 Flinders first sailed to Australia aboard the Reliance for the British Navy. Matthew Flinders and George Bass bought an eight-foot long boat called Tom Thumb to explore the southern coastline of Australia. They first sailed south of Sydney and rowed up the Georges River. During 175- 178 they had mapped much of the southeast coast of Australia. In 178 Bass and Flinders sailed around Tasmania proving it to be an island. They were the first Europeans to realize that Tasmania was an island. Flinders returned to England aboard the Reliance in 1800.


In 1801, Flinders returned to Australia as Captain aboard the Investigator. He first sighted land at Cape Leeuwin. 'On this second trip he mapped the entire south coast of Australia, from Cape Leeuwin to the Spencer Gulf to the Bass Strait. ). On July , 180, he sailed to the east coast of Australia, mapping the coastline from Port Jackson (where Sydney is located) up to the Gulf of Carpentaria. He continued west and then south, sailing completely around Australia; he returned to Port Jackson on June , 180, even though his boat was leaking badly. This was the first time anyone had sailed around Australia. Flinders was placed in charge of the Investigator to make a thorough survey of the Australian coastline. He had been married three months earlier and was expecting to take his wife along but Admiralty had other ideas. It was eight years before husband and wife met again.'


Flinders returned to England in 180 aboard the Cumberland. He had to stop for repairs at Mauritius. 'Thinking he was a spy; the French kept him prisoner for 6 1/ years and stole his charts and papers (he was released when the British took over the island). He didnt arrive home until 1810, and reached home sick and a forgotten man. He wrote an account of his travels, called Voyage to Terra Australis Undertaken for the Purpose of Completing the Discovery of that Vast Country, and died the day after it was published.'


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Tuesday, September 3, 2019

Ira dryfuss summary

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In Ira Dryfuss' essay, "Boys and girls view risk differently, study finds", Dryfuss discusses the studies of two different researchers and their findings on how children view risks based on gender.


Professor Morrongiello of University of Guelph in Ontario looked at risk assessments among 0 Ontario schoolchildren, ages 6-10. The studies showed that boys were less likely to see an injury as severe and caused by bad luck, while girls would simply avoid the situation if any potential for injury was present.


Researcher Licette Peterson, a professor at the University of Missouri in Columbia, tested children with virtual simulations of riding bicycles on the street. Her findings show that girls brake sooner and are more fearful of pain than that of boys.


Some researchers say that the reason boys and girls view risks differently could be a genetic tendency, the result of social conditioning, or a combination of the two, why girls are more fearful is still not known.


In Ira Dryfuss' essay, "Boys and girls view risk differently, study finds", Dryfuss discusses the studies of two different researchers and their findings on how children view risks based on gender.


Professor Morrongiello of University of Guelph in Ontario looked at risk assessments among 0 Ontario schoolchildren, ages 6-10. The studies showed that boys were less likely to see an injury as severe and caused by bad luck, while girls would simply avoid the situation if any potential for injury was present.


Researcher Licette Peterson, a professor at the University of Missouri in Columbia, tested children with virtual simulations of riding bicycles on the street. Her findings show that girls brake sooner and are more fearful of pain than that of boys.


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Willy as Tragic Hero in Death of a Salesman

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Willy as Tragic Hero in Death of a Salesman Death of a Salesman is the story of Willy Loman, a middle-class salesman who, in the course of a single day, comes to realize that the American Dream, which he has pursued for 40 years, has failed him. Willys relentless, but naive pursuit of success has not only affected his sense of his own worth but has dominated the lives of his wife Linda and his sons Biff and Happy. In the course of the play he realizes that his true wealth lies in being loved and known by his family, and in one final attempt to secure his personal dignity and provide a future for his sons through his life insurance, he commits suicide.Willy Loman is, for Miller, the antithesis of the classic tragic hero. As his name implies, he is a `low man, an ordinary man, whose dreams and expectations have been shattered by the false values of the society he has put his faith in. Unlike the heroes of classical tragedy, he is not a man of stature or noble purpose but he commands our respect and pity because he pursues his dream with a passionate intensity that makes him unique and gives him a heroic quality. While Willy is flawed in many ways, it is not simply this, but the social forces beyond his control that lead to his downfall.In Death of a Salesman, Miller is not so much calling into question the pursuit of the American Dream, but the dream itself. For Willy, his adventurer / explorer brother, Ben, and his salesman hero, Dave Singleman, are images of success, but the character of Ben is fantastical and the achievements of Dave are idealised and exaggerated. Using these as his benchmarks, Willy can never achieve the success he so desperately craves. Through a series of flashbacks in the play, where we witness Willys persistent efforts to make the American Dream a reality for himself and his family, Miller launches a scathing attack on the very notion of the dream. He questions the values upon which American society is based and the way in which these contribute to the destruction of a man such as Loman.Willys obsession and lack of insight thwart all his relationships and cause him to betray his own set of values. His loyal and loving wife, Linda, supports him in both his fantasies and failures and her life seems to be entirely absorbed into his. Unable to achieve the desired success in his own career, he becomes preoccupied with ensuring the success of his two sons, in particular that of Biff who, he is convinced, is destined for greatness in his sporting, professional and social life. Sadly, his over-zealous attempts serve only to reinforce Biffs sense of inadequacy and lack of identity. Willy realises toward the end of the play that he doesnt need to `sell himself to his family, who loves him despite his failings. His suicide, an act in defiance of the system, which until now has defeated him, is also a tragic attempt to salvage something of his dream. According to Miller, it is this readiness to lay down his life to secure his dream that makes Willy a tragic yet heroic figure and one to whom, in Lindas words, ``attention must be finally paid.


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